No matter how many times grandmothers advise not to, people will always judge a book by its cover. In our hectic world making snap decisions is almost necessary, therefore arguably the most important project for an architect to design is himself. How you present yourself reveals everything about your personal philosophy, work ethic, and design methods. Designers almost have a duty to send a statement through their wardrobe. This duty cannot be taken lightly so when you look through your trendy lensless frames into your closet, ruffle through the sports coats, the Armani suit, and the graphic T’s to find what image you wish to exude.
The stereotypical architectural attire is designed to eliminate any possible distractions from one’s work. This wardrobe has a nearly superman-esque uniformity and will not stray from the color black, from the silk button down to the matte loafers. With this uniform, the architect is able to become invisible; fading to the background so that the presenter will not detract from the fruits of their labor.
Despite this most venerable attempt at professionalism, this camouflage has one obvious and detrimental side effect: causing the wearer to blend in. Every architect’s desire is to make a name for their self and this strategy seems to go in the opposite direction: towards oblivion.
On the opposite end of the architectural spectrum lies the salesman, sporting the neatly pressed designer suit and power tie. This mimicry of professionalism gives the perception of competence and professionalism: a designer you can trust.
The third school of architectural fashion allows the wearer a more unique route. This line of designers have, at their fingertips, an infinite number of choices from Bright Colors, Outlandish Patterns, Expertly Placed Accessories; finding your own path can provide a powerful image and
So when you suit up, consider the yarn that your wardrobe is spinning for your audience of thirsty onlookers. Remember, you are representing the long tradition of the most noble profession. You need to stay on the cutting edge and compete with your peers through all means possible. You need one more thing to worry about in your already overly stress-filled profession.
The stereotypical architectural attire is designed to eliminate any possible distractions from one’s work. This wardrobe has a nearly superman-esque uniformity and will not stray from the color black, from the silk button down to the matte loafers. With this uniform, the architect is able to become invisible; fading to the background so that the presenter will not detract from the fruits of their labor.
Despite this most venerable attempt at professionalism, this camouflage has one obvious and detrimental side effect: causing the wearer to blend in. Every architect’s desire is to make a name for their self and this strategy seems to go in the opposite direction: towards oblivion.
On the opposite end of the architectural spectrum lies the salesman, sporting the neatly pressed designer suit and power tie. This mimicry of professionalism gives the perception of competence and professionalism: a designer you can trust.
The third school of architectural fashion allows the wearer a more unique route. This line of designers have, at their fingertips, an infinite number of choices from Bright Colors, Outlandish Patterns, Expertly Placed Accessories; finding your own path can provide a powerful image and
So when you suit up, consider the yarn that your wardrobe is spinning for your audience of thirsty onlookers. Remember, you are representing the long tradition of the most noble profession. You need to stay on the cutting edge and compete with your peers through all means possible. You need one more thing to worry about in your already overly stress-filled profession.
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